Starting price of the DUTTI DOLLY is $1399 - with this dolly, and accessories, you can get into extreme low angles or can carry a bazooka or tripod for other heights. The stability gives the operator the ability to whip pan and quick tilt. It rolls directly on the ground or can be mounted on stands or track and can be over or under slung.
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Polaroid introduce 2 affordable products to market, the $99 carbon fibre Polaroid Travel Tripod, and the Polaroid telescoping monopod which sells for $55.
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Nauticam is pleased to introduce the latest in it's acclaimed line of underwater camera housings, the NA-GX8, designed specifically for the Panasonic GX8. Nauticam's unparalleled experience with taking mirrorless cameras underwater is evident in this exceptional housing. Nauticam supports more mirrorless cameras, and specifically more micro 4/3's cameras and lenses than any other manufacturer.
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The Canon COMPACT-SERVO 18-80mm T4.4 EF-mount lens combines the benefits of compact size and light weight (only 2.7 lbs.) for outstanding mobility. Designed to shoot video, this lens can be ideal for the cinematographer moving up from EF lenses, combining the functionality of EF lenses with the video shooting features of our Cinema lenses.
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The WEDGE, CAM Tank as well as Matthews new INFINITY ARM, KERRI KART and DUTTI Dolly and many of the unique MSE support products Technology That Complements Your Imagination will be available for you consideration at NAB 2016.
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Blackmagic Design has announced that Blackmagic URSA Mini 4.6K and the Blackmagic Micro Cinema Camera have commenced shipping and that the specifications of the two cameras have been changed. Blackmagic Design have decided to ship both of the cameras without the global shutter feature.
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Small, light and highly durable, the latest addition to Panasonics range of interchangeable lenses is perfectly suited to shooting extreme telephoto, 4K video, in all kinds of environments.
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Producer/Director, Scott Wright, gets out on location using the Sony A7RII for filming a promotional dance video. Scott explains why he chose the A7RII - with a background in photography, he finds the Sony to be a tremendous tool for recording both high quality still and moving images. Some interesting comments in the piece about why Scott moved away from his trusted Canon 5D Mark III to the Sony large-sensor mirrorless system.
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