SOUTH EAST ASIA TRAVELOGUE SHOT WITH BLACKMAGIC POCKET CINEMA CAMERA

Berlin based Story House Productions developed five programs, in which a small crew travelled across each of the countries that previously formed Indochina; Thailand, Vietnam, Laos, Cambodia and Myanmar. The production crew chose the Pocket Cinema Camera as it would enable them to capture beautiful images, while retaining a backpacker look that would be the overarching theme for each of the standalone documentaries.

The challenge for Story House was how they would translate not only the physical beauty of the region, but also the essence of the country and what it is like to actually travel there. To achieve that feel of backpacking through a country, we relied on traditional public transport throughout filming. Each of the documentaries also offers a glimpse into the lives of eight locals, explains Christian Schidlowski of Story House Productions.

Christian directed the first two programs set in Vietnam and Cambodia. To ensure consistency, workshops were held with the two other directors, and DoP André Götzmann was present across all five shoots. The majority of filming was done handheld, and the team used the Pocket Cinema Cameras film mode in order to access the cameras full dynamic range and bring a real vitality to the footage.

André was extremely impressed by the image quality that could be achieved by a camera with such a compact form factor. The Pocket Cinema Cameras size was incredibly important in allowing us to film very natural scenes. The smaller the camera, the faster people forgot its presence, which enabled me to stay in eye contact with the protagonists and get physically close to people without disturbing them. I picked up the camera in the morning and didnt put it down until evening; it became my constant companion. I captured so many little spontaneous things along the road, in a way Ive never been able to before. The camera let me literally soak into the country.

Whatever we shot with had to be capable of producing both stunning landscape shots, for example, shooting wide angle to demonstrate the idyllic beaches across the region, but also needed to give us stunning detail in the close up portrait shots that we used when interviewing local people. As we were traveling with such a small crew, our lighting options were extremely limited, but we knew that wherever we were shooting, we would always capture great looking images with the Pocket Cinema Camera.

From a directors perspective, Christian was extremely pleased with the rich color scale that the Pocket Cinema Camera captured, for example in the marketplaces in Thailand, which are a whirl of bright fabrics, street food and streets packed full of people. As we finished in DaVinci Resolve, the footage has been fantastic to grade. It was incredibly simple to import the footage into a timeline, and apply an overall grade to each of the films to make the vivid colors of the region really pop out. We knew from the start that the camera would be the right choice for our objectives, and this remains the case, now that post production is completed.

The Asia From Above documentaries will be shown on arte, which broadcasts in France and Germany later in 2014.