DaVinci Resolve 12.5.4 update adds compatibility with the new MacBook Pro Touch Bar from Apple. The Touch Bar is a multi touch retina display strip at the top of the new MacBook Pro keyboard that provides instant access to the most common tools the moment they are needed. While using DaVinci Resolve 12.5.4, the Touch Bar automatically changes to show context sensitive tools based on the task customers are performing. For example, on the Media page customers can instantly add the current clip to a bin, switch between icon and list view, display clip attributes, search media and show metadata simply by tapping on the Touch Bar.
When editing video, the Touch Bar is context sensitive and displays commands based on whether the media pool, source viewer or timeline are selected. Customers can quickly switch between trim modes, navigate the timeline and perform different types of edits without ever having to use the mouse or pull down menus. Colorists can use the Touch Bar to do everything from adjusting primary sliders and color wheels, to changing mid tone detail, saturation, tint and more. The Touch Bar can be used to save or wipe gallery stills, toggle viewer modes, work with split screen mode to compare shots and even use multi touch gestures to adjust multiple color parameters, such as printer lights, at the same time.
DaVinci Resolve 12.5.4 update gives customers new support for Rec. 2100 when using DaVinci Resolve Color Management. Rec. 2100 is a superset of Rec. 2020 that defines high dynamic range (HDR) formats such as SMPTE ST. 2084 (PQ) and Hybrid Log-Gamma (HLG). DaVinci Resolve 12.5.4 update also adds new sliders to control Dolby VisionTM analysis data. Customers using ACES workflows get new P3-D65 IDTs and ODTs, and a new Rec. 2020 ST. 2084 1000nit ODT that uses P3 color space.
In addition, DaVinci Resolve 12.5.4 update adds support for Grass Valley HQ and HQX codecs on Mac, Windows and Linux, preserves super white and sub black data when working with ProRes 4:4:4:4, adds MP3 decoding on Windows, better support for CR2 files from Canon 5D Mark IV cameras, and improved EXR decode and playback performance.
“DaVinci Resolves incredible image processing makes it the worlds best editing and color correction solution for next generation wide color gamut and high dynamic range workflows,” said Grant Petty, CEO, Blackmagic Design. “This new DaVinci Resolve 12.5.4 update is so exciting because it gives customers more control and creative options for HDR than ever before. Plus, support for Apples latest MacBook Pro Touch Bar gives customers instant access to the tools they need so they can work even faster!”
New in DaVinci Resolve 12.5.4
- Added support for the MacBook Pro Touch Bar
- Added support for decoding MP3 files on Windows
- Added support for preserving super-white and sub-black data with ProRes 4444 codecs
- Added support for Grass Valley HQ and HQX codecs on Mac, Windows and Linux
- Added support for Rec. 2100 in DaVinci Resolve color management
- Added new sliders to control Dolby Vision analysis data
- Added P3-D65 IDTs and ODTs in ACES
- Added Rec.2020 ST.2084 1000 nits ODT clamped to P3 in ACES
- Added support for image orientation flag in DPX files
- Improved support for CR2 files from Canon 5D Mark IV
- Improved grading and playback performance when working with large node graphs