Dave Doré has released a major documentary, filmed on a hacked Panasonic GH2 and edited in Final Cut Pro 7. This independent production shows just what can be achieved using affordable tools which are not the most expensive or most current technology.
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With the recent launch of 4K resolution displays and projectors into the consumer electronics market, REDRAY fills a crucial role as an OTT network based appliance and the first media source capable of providing true 4K content to these displays.
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Atomos announces the release of AtomOS 4.01 firmware for Ninja-2 recorders. AtomOS 4.01 brings a whole new level of functionality to the Ninja-2 with support for Avid DNxHD, at no extra cost to customers.
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Focus FS-T2001 is dedicated to both Electronic News Gathering (ENG) and Electronic Field Production (EFP) applications. The device incorporates the complete range of Sony professional recording formats including 50mbps MPEG HD422, XDCAM HD/EX, and DVCAM. The Focus FS-T2001 also supports removable professional media: SxS Pro, SxS-1 and SDHC adapters while featuring an additional 250 GB internal storage capacity for recording/playback and media management.

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One of the most difficult places to film is from a helicopter. There are many reasons for this, but it mostly has to do with the nature of how a helicopter obtains lift and direction. Without getting into the theory of aerodynamics, let's just say that the ride inside a helicopter is far different from that of a fixed wing aircraft. I think the word "vibrate" is the best way to describe riding in a helicopter.
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Convergent Design has released it's latest firmware for Gemini 4:4:4, version 1.4.101. This is production-level firmware that improves the overall speed and reliability of the unit. It is recommended for ALL users
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Flowtility by Simplifilm provides high-quality motion graphics library to simplify the creation of professional-looking screencasts, video tutorials, and demos for ScreenFlow users

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Manipulate the color and grain of your favorite film stocks and apply this to your footage. FilmConvert™ models the characteristics of the digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks - including negative densities, printer spectral responses and grain response curves.
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