Recorded live at the Amsterdam SuperMeet, September 11, 2016
This video features 2 distinct demos: (i) shooting RAW with URSA Mini 4K and 4.6K (ii) post=production RAW workflow editing with DaVinci Resolve.
Klaus B. Pedersen is a Danish cinematographer and the Creative Director behind the Swiss-based creative media agency Gaffa Media. Klaus explains why he chose the URSA Mini 4K and 4.6K cameras and how RAW acquisition influenced his workflow.
Simon Hall is a DaVinci Resolve specialist with Blackmagic Design. Simon clearly explains the post-production workflow using Resolve, which involves creating optimized media (low resolution proxy files) which can be worked with while editing. Editing and color correction is done within DaVinci Resolve and when complete, the original DNG RAW files can be matched back to straight away, enabling output at the highest level of qualityl. The ability to work with low resolution files while editing within DaVinci Resolve is a major break-through in terms of simplifying workflow.