ARRI RENTALS ALEXA 65 CAMERA SYSTEM GAINS WIDE POPULARITY AND NEW FUNCTIONALITY

View Article & Photos >>
12
SEP 2015

ARRI RENTALS ALEXA 65 CAMERA SYSTEM GAINS WIDE POPULARITY AND NEW FUNCTIONALITY
Available exclusively through ARRI Rental, the ALEXA 65 has already been supplied to numerous high-profile projects, some using it as the main unit camera throughout production and others using it as a specialist camera for sequences that require extreme levels of image quality.
VIEW ARTICLE >>
 

ATOMOS SHOGUN BOLSTERS SUPPORT FOR HIGH-END CINEMA WITH RAW, ANAMORPHIC, CINEMA 4K ARRI, AJA, CANON AND SONY SUPPORTED

View Article & Photos >>
13
APR 2015

Atomos Shogun Bolsters Support for High-end Cinema with RAW, Anamorphic, Cinema 4K Arri, AJA, Canon and Sony Supported
Atomos continue to develop and enhance Shogun with 7 new hardware features available over the coming months which are free to both new and existing registered users.
VIEW ARTICLE >>
 

ASSIGNMENT: ODYSSEY: DEMONSTRATION OF THE VERSATILITY OF THE ODYSSEY7Q PLUS MONITOR/RECORDER.

View Article & Photos >>
10
APR 2015

Assignment: Odyssey: demonstration of the versatility of the Odyssey7Q plus monitor/recorder.
Filmmaker Jim Arthurs had a dream: just how many Odysseys could he put to work on a single shoot He came up with the concept for "Assignment: Odyssey" as a visual demonstration of the versatility of the Odyssey7Q+ monitor/recorder.
VIEW ARTICLE >>
 

ANNOUNCING THE NEW ARRI ALEXA MINI

View Article & Photos >>
24
FEB 2015

Announcing the new ARRI ALEXA Mini
ARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world.
VIEW ARTICLE >>
 

NEW ALEXA PRORES 3.2K FOR UHD TV

View Article & Photos >>
3
SEP 2014

New ALEXA ProRes 3.2K for UHD TV
Designed from the outset to be adaptable and future-proof, ALEXA can easily accommodate productions that choose to follow a UHD or 4K workflow. The camera's overall image quality in combination with ProRes 3.2K (due for release as a software update in early 2015) and ARRIRAW Open Gate (released earlier this year) allows for simple up-sampling to UHD or 4K in a quality at least as good as other contenders.
VIEW ARTICLE >>
 

ARRI ALEXA XR/XT SUPPORTS APPLE'S PRORES 4444 XQ CODEC

View Article & Photos >>
2
JUL 2014

ARRI ALEXA XR/XT supports Apple's ProRes 4444 XQ codec
ARRI has announced support for the new Apple ProRes 4444 XQ, the highest-quality version of ProRes to date, which will be available in the next Software Update Packet for ALEXA cameras.
VIEW ARTICLE >>
 

FILMCONVERT NOW WORKS WITH ALL VERSIONS OF DAVINCI RESOLVE; NEW CAMERA SUPPORT; FEATURES; AND MORE ON THE WAY.

View Article & Photos >>
4
NOV 2013

FilmConvert now works with all versions of DaVinci Resolve; new camera support; features; and more on the way.
FilmConvert, regarded as the "best stock emulation" program on the planet, has now added a range of features and workflow possibilities. Using an OFX plugin FilmConvert will now work with all versions of DaVince Resolve; many of the latest cameras are now supported; new features for integration with Premiere Pro and After Effects; and improvements for FCPX are coming soon!
VIEW ARTICLE >>
 

ARRI AMIRA: THE NEW DOCUMENTARY-STYLE CAMERA

View Article & Photos >>
16
SEP 2013

ARRI AMIRA: The New Documentary-Style Camera
ARRI proudly introduces AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded looks based on 3D LUTs, as well as 200 fps slow motion.
VIEW ARTICLE >>
 

Content Publisher Rick Young Ltd